When Dead Man Walking came out in late 1995, you couldn't go anywhere in the first half of 1996 without hearing the Eddie Veddar/Nusrat Fateh Ali Khan collaboration song "The Face of Love." Trust me. I lived it. It was almost as prevalent as hearing the Bruce Springsteen song, "Streets of Philadelphia," after the 1993 move Philadelphia came out. Almost. This movie hinges on the performances of Sean Penn and Susan Sarandon, and they delivered ten-fold. Some may not be into drama played out over several conversations between two characters, but not Field. This movie was in the beginning of Field's self-education into filmmaking, and it helped embed the love of cinema that Field carries with him today. Find out what both Butler and Field thought with the final episode of Season 24. It's Dead Man Walking! Spotify | Apple Podcasts | Amazon Music | More Links

Field returns with Last Four - Episode 5, to break down the last four films he watched. These are spoiler-free takes on the movie. Field talks about what he believes works in the movie, what doesn't work and who would like the movie. This episode Field talks about: How to Make a Killing | Killing your way to a fortune Mike & Nick & Nick & Alice | Time-traveling gangsters Anna and the Apocalypse | A holiday zombie musical Crime 101 | A thief looking for one last score Enjoy! Spotify | Apple Podcasts | Amazon Music | More Links

The movie where you ask yourself "Hey, isn't that Norm from Cheers?" And yes, you would be correct. Not only is George Wendt playing someone other than his classic character from the TV show Cheers, but he's also kind of a jerk throughout 75% of this movie. Dang! Gung Ho features Michael Keaton as Hunt Stevenson (classic movie character name) and he's just saved his city by convincing a Japanese car company to buy an American car plant, and pretty much where much of the city works. This Ron Howard directed movie has a ton of laughs, is definitely rooted in the 1980s and there are some interesting culture dynamics. Field: "I always laugh at the scene when Keaton is pretending there's windshield in the car when the big boss comes inside the plant at the end. It makes me laugh every time." Dynamite analysis, Field. Find out more of what Field had to say and Butler, too. He speaks in this episode as well. Spotify | Apple Podcasts | Amazon Music | More Links This isn't our first Ron Howard 80s film. Check out Night Shift!

This movie is as long as its title! We're half-joking. While it is long, there's plenty of stuff going on in this movie. Clint Eastwood brings us the southern tale of murder, intrigue and mystery based on the book of the same name. There is something for everyone in Midnight in the Garden of Good and Evil . Kevin Spacey feels like a great fit as Jim Williams, our antiques dealer who kills his lover, played by Jude Law. But is it self-defense or murder? We both like like this film, to varying degrees. We both agree there's potential for a reboot — a limited series perhaps? Check out our episode! Spotify  | Apple Podcasts  | Amazon Music  | More Links Check out the last Clint Eastwood film we covered on the show: A Perfect World.

A family film that both Field and Butler can agree on. Yes, it does happen. And despite Butler's insistence to the contrary, sometimes it's his film choice that wins the day. Secondhand Lions is a story of a young boy in desperate need of some adult guidance, and while it comes in the form of two older uncles who dispense important lessons on what it means to be a man, any kind of responsible adult supervision would've been okay. But let's face it, we all want Robert Duvall to give us that big speech. (Rest in Peace, Good sir) Duvall is great (as always), Caine is solid, and Osment is displaying why he was on a tear in the early 2000s. (Even if he was whining a bit in this one) Take a listen to what we thought about the movie! Spotify  | Apple Podcasts  | Amazon Music  | More Links Miss our last episode? Don't worry! It's right here!

A new episode of Last Four is upon us! Mike Field shares his thoughts on the last four films he watched. We've got: Cold Storage | a killer fungus is among us War Machine | Jack Reacher versus a killing machine from space Good Luck, Have Fun, Don't Die | Sam Rockwell trying to save the world from a time-traveling AI Send Help | Rachel McAdams trapped on a deserted island and getting revenge on her boss. Enjoy! Spotify  | Apple Podcasts  | Amazon Music  | More Links

Unlimited. Unlimited.... (Sorry, wrong movie) We're trying to defy gravity this week, long enough to get Sandra Bullock into the Tiangong's Shenzhou capsule and get back to Earth...somehow. This movie looks awesome. Maybe they didn't shoot in space, but it looked like they did, right? Where's the Love for Gravity? Everyone we now likes this movie, but why don't we talk about it still? We know, we know...that's the whole point of the podcast. But we're in that weird gray area of time with this film. Gravity came out in 2013, and we're not quite far enough away for the nostaglia glasses, and we're not close enough to remember. That's what happens when you have loads of movies and television shows that come out year round now. But we digress. Sandra Bullock is great in this movie, and George Clooney is charming as hot-shot astronaut would be. If you've seen this movie, enjoy our conversation about it. Like space movies? Well, check out our latest Now Showing - Project Hail Mary. Spotify  | Apple Podcasts  | Amazon Music  | More Links

Now Showing: Project Hail Mary (2026) Space movies live or die by their emotional core. The spectacle is easy enough to manufacture with floating debris, impossible distances, and the cold silence of the void. What's harder to manufacture is the feeling that you genuinely care about the person floating out there. Project Hail Mary , directed by Phil Lord and Christopher Miller, gets that part exactly right. And then some. We'll just say it up front: we loved this movie. What Makes Project Hail Mary  So Good? Ryan Gosling plays Dr. Ryland Grace, a middle school science teacher who wakes up alone on a spacecraft with no memory of how he got there, only to slowly piece together that he's light-years from Earth on a one-way mission to save the human race. It's a high-concept setup that could easily feel cold or mechanical, but Gosling makes it warm, funny, and surprisingly moving. His performance carries the film the same way his character carries the mission: through sheer ingenuity and an irresistible likability that makes you want to follow him anywhere. Butler's word of choice for this one was phenomenal , and he used it more than once. Ryan Gosling and Rocky: The Best Duo of 2026? The heart of the film is the relationship between Grace and Rocky, an alien he encounters whose planet, Erid, faces the same extinction-level threat as Earth. Rocky is a technical marvel, and the friendship that develops between these two very different beings is the film's greatest achievement. It's funny, touching, and sneaks up on you in ways you don't expect. If you've ever wanted to watch a man and a talking rock become best friends while trying to save two worlds simultaneously, this is your film. Does Project Hail Mary  Have Any Weaknesses? We'd be doing you a disservice if we pretended the film was flawless. Our main reservation is structural. The hero's journey framework occasionally makes the pacing feel a little too smooth for its own good, and a major development near the end would have landed with considerably more emotional weight had it come just a bit earlier. These are minor quibbles for a film that keeps you genuinely engaged for its entire runtime, but they're worth noting. Should You See Project Hail Mary  in Theaters? Absolutely and without hesitation. This is a film that celebrates curiosity, friendship, and what people, and apparently some aliens, are capable of when they decide to work together. It's smart without being cold, emotional without being manipulative, and uplifting in a way that feels genuinely earned. If you're looking for a film that sends you out of the theater feeling good about the universe, Project Hail Mary  is it. Spotify  | Apple Podcasts  | Amazon Music  | More Links

Is Soapdish  Still Funny? Yes! Daytime television has never looked quite as gloriously unhinged as it does in Soapdish (1991) . This week on Forgotten Cinema, we dive into the fast-paced backstage comedy and come out the other side thoroughly entertained. This is a film that earns its laughs through a stacked cast, sharp writing, and a genuine affection for the genre it's skewering. What Makes Soapdish Work: A Cast Firing on All Cylinders The secret weapon of Soapdish  is its ensemble. We both single out Kevin Kline and Sally Field as particular standouts. Kline is doing what Kline does best, finding the absurdity in every scene without winking at the camera, and Sally Field anchors the chaos with a performance that's as grounded as it is funny. Around them, the supporting cast (Elisabeth Shue, Robert Downey Jr., Whoopi Goldberg, Cathy Moriarty) keeps pace, making this a rare comedy where no one feels like they're working harder than anyone else. A Soap Opera Inside a Soap Opera What elevates Soapdish beyond straightforward parody is its layered premise. The film is set behind the scenes of a fictional daytime drama, but the off-screen lives of its cast are every bit as melodramatic as the show they're making. That self-awareness gives the comedy real depth. It's not just poking fun at soap operas; it's using the format to comment on itself, and doing so with enough affection that it never feels mean-spirited. Does Soapdish Hold Up for Modern Audiences? As many of us already know, soap operas are no longer the cultural juggernaut they once were. The genre that once dominated American afternoons has somewhat faded from the mainstream. Some of the satire in Soapdish lands differently as a result, and viewers with no frame of reference for the genre may find certain jokes less resonant than they would have in the early 90s. And yet the humor, performances, and sheer momentum of the storytelling carry it through. The specifics of soap opera culture may be dated; the comedy of ego, ambition, and workplace chaos absolutely is not. A Sharp, Joyful Comedy Worth Rediscovering We both come away from Soapdish  with a clear verdict: this one is a great time. It's fast, funny, and anchored by performances that make it easy to understand why the film deserved a bigger legacy than it got. If you've never seen it, this episode is a good place to start. If it's been a while, it holds up better than you might expect.   Spotify  | Apple Podcasts  | Amazon Music  | More Links

Field returns for Last Four: Episode 3 to share with you his thoughts on the last four movies he's watched. This tight ten-minute episode takes you on a journey through few different genres. We've got: Ella McCay | A James Brooks comedy-drama that can't quite figure out what it's about Shelter | Jason Statham doing exactly what Jason Statham does (and delivering) Nuremberg | A drama with Russell Crowe chewing scenary and Rami Malek in a completely different movie Les Misérables | Because sometimes you just end up watching Les Misérables. Enjoy the show! Spotify  | Apple Podcasts  | Amazon Music  | More Links